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This painting carries a more concentrated, enveloping rhythm, with large crimson, magenta, and rose-hued forms dominating the right-hand side.
Like it’s sister painting ‘Nothing to see here l’ it balances painterly surfaces with flat graphic marks creamy cut-out shapes, spotted seedpods and slender outlined stems weave through the canvas.
The green ground is deep and velvety, acting as a stage for the drama of colour.
There’s a strong play with scale: some elements are bold and oversized while others are delicate stem lines and tiny berries bringing intimacy and detail.
It feels at once abundant and controlled, a vibrant abstraction of summer growth.
As a pair:
Together, the two works feel like companion pieces in dialogue, a diptych of summer energy.
They celebrate the vitality of nature through bold colour and quirky abstraction, blending joy, humour, and design. Each piece echoes the other in palette and rhythm, yet their differences in structure giving them complementary personalities.
This painting carries a more concentrated, enveloping rhythm, with large crimson, magenta, and rose-hued forms dominating the right-hand side.
Like it’s sister painting ‘Nothing to see here l’ it balances painterly surfaces with flat graphic marks creamy cut-out shapes, spotted seedpods and slender outlined stems weave through the canvas.
The green ground is deep and velvety, acting as a stage for the drama of colour.
There’s a strong play with scale: some elements are bold and oversized while others are delicate stem lines and tiny berries bringing intimacy and detail.
It feels at once abundant and controlled, a vibrant abstraction of summer growth.
As a pair:
Together, the two works feel like companion pieces in dialogue, a diptych of summer energy.
They celebrate the vitality of nature through bold colour and quirky abstraction, blending joy, humour, and design. Each piece echoes the other in palette and rhythm, yet their differences in structure giving them complementary personalities.